Until Saturday, the pre-show ball had focused on Adele and how the six-time-nominee would book in her aboriginal accessible achievement aback abandoning a bout and accepting anaplasty on her articulate cords.A aglow Adele did not disappoint, nor was she disappointed. She won six Grammys, including the Big Three: song and almanac of the year for “Rolling in the Deep,” and anthology of the year for “21.” Earlier in the night, she thanked “the doctors who brought my articulation back.” That articulation complete a blow blatant at points, but her boldness surged as she powered through “Rolling in the Deep.” Without abundant added than a few duke gestures and a brace of shy smiles, she allowable the awning like few performers during the 3 ½-hour nationally televised advertisement from the Staples Center in Los Angeles. A abundant song and a abundant articulation will do that for you.
She declared her acceptable anthology “21” as getting about something “everyone’s been through … which is a debris relationship,” and that absoluteness translated to the year’s biggest-selling and now most-acclaimed recording.
Houston’s afterlife in a Los Angeles auberge allowance Saturday put the Grammys into clutter mode, as they adapted the advertisement agenda and devised an adapted accolade to the pop icon. “We’ve had a afterlife in our family,” host LL Cool J said. He offered “a adoration for a woman we loved, for a collapsed sister.”
Jennifer Hudson performed a abrupt adaptation of the Dolly Parton song that Houston fabricated her own, “I Will Always Love You,” on “The Bodyguard” soundtrack. Hudson, one of endless singers afflicted by Houston’s pop-gospel sound, played it beeline and true, accusation her articulation harder in the final turn, the slight arise advertisement the acuteness of affect that accent this anniversary music-industry gathering.
“There’s a little bit of a aphotic billow … a lot of humans are heartbroken,” country accompanist Miranda Lambert said afore the telecast. But “we can let music alleviate us.”
Bruce Springsteen came not to alleviate but to incite. He kicked accessible the advertisement with a song that rocked the building, brought a acclamation Paul McCartney out of his bench and bidding no baby admeasurement of depression in an acclamation year. “Where’s the affiance from sea to animated sea?” Springsteen sang on “We Take Care of Our Own,” from his accessible album. He was backed up by an orchestra, but the complete that came through was acute guitars and ample Max Weinberg drums.
The advertisement was abounding with analytical decisions. Chris Brown, who alone three years ago backed out of the Grammys amidst a bent proceeding involving an advance on the accompanist Rihanna, denticulate assorted appearances. Yet the Grammys fabricated alone casual mentions to the backward “Soul Train” architect Don Cornelius and jazz-poet Gil Scott-Heron.
A few added winners, losers, oddities and observations a part of the 78 Grammy categories:
“This is ridiculous!”: So said Adele afterwards accepting her fifth Grammy. The acknowledgment wasn’t directed at Nicki Minaj, who did some austere “Exorcist”-style button-pushing in a Gothic account number, but could anyone accusation her if it was?
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Second-hand James Brown tribute: In gold clothing and pompadour, Bruno Mars approved to approach the Godfather of a Soul, but I’m audition the access of his old bout mate, Janelle Monae, who makes the James Brown attitude her own. Mars did get off a acceptable line, though, ambitious that the admirers “get off your affluent (behinds) and let’s accept some fun.”
Collaborations, some good, some bad: In general, I’m all for the abstraction that the Grammys wish to mix things up and put artists calm who ability accept a assertive chemistry. The Bonnie Raitt-Alicia Keys bond on an Etta James accolade formed because both artists accept a feel for blues-based ballads. But Rihanna was dancing and singing up a storm during “We Fell in Love in a Hopeless Place” afore an acoustic affiliation with Coldplay’s Chris Martin anon dead her momentum.
Good accordance – or not: Speaking of chargeless collaborations … the Beach Boys reunited with Brian Wilson for the aboriginal time in decades, but were accountable to allotment the date with lightweights Foster the Humans and Maroon 5. Wilson isn’t what he acclimated to be as a accompanist or performer, but he and his bandmates adapted the spotlight to themselves if alone for the ability of his songs. “Good Vibrations” still sounds futuristic, like a cream song for Martians.
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